El cuerpo como resto : La danza y cuerpos segregados.

Abstract

The aim of this thesis work is to illustrate the constitution of the body in relation to dance, being one of the oldest artistic manifestations, containing of history and meaning and like and how subjectivity has the sociocultural influence that crosses the artistic subject from psychoanalytic theory, gender and philosophical theory. In the clinical reading, these subjectivities of the segregated bodies have been analyzed and how the contemporary era has been published in the new visible terms for the subjects linked to art. The methodological framework used was the phenomenological design, based on semi-guided interviews that studied the events from listening to the discourse of the realities and the internalization of the subjects and their context. It is intended to make an analysis of the discourse and content of the expressions of each of the subjects.