Fantasmas perversos y su escenificación en las creaciones artísticas.

Abstract

The following research was based on the analysis of perverse fundamental phantasies and their staging in various artistic creations, characterizing and establishing a correlation between perversion and art in order to identify how this dynamic can be applied to film production and action art performances. This was done through the descriptive method, making use of a bibliographic review to collect information regarding the topic covered. Likewise, semistructured interviews were applied to two participating groups, placing psychology and psychoanalysis professionals in the first one, while the second group was focused on artists. Finally, a cinematographic analysis of the film Irreversible, by Gaspar Noé, was carried out, alongside an analysis of the performances of Günter Brus. Based on the analysis and results obtained, it was possible to conclude that an artistic creation can carry a perverse fundamental phantasy that could be located in the artist, projecting said fundamental phantasy in his work, regardless of their clinical structure or, the viewer, can get divided by involving in their contemplation elements of their sensibility. In addition, the work itself can also denote perverse fundamental phantasy through composition or structure, by using elements oftentimes considered as abject and thus, causing discomfort or disturbance.